20 January, 2004

342 Marc & Jed


342 Marc & Jed
24x18" acrylic on board
commission

19 January, 2004

A341 Wedding



A341 Wedding (for Heidi & Nathan)
24x18" oil on canvas
private collection

Anomaly Series

18 January, 2004

A340 Memory one (Flux)


A340 Memory (flux)
36x24" oil on canvas
$800.00

This painting is about how flow (inspiration) works, in and out. A cacophony of information and ideas enters the woman’s head, and a single rivulet of pure vision enters her eye, and pours out. The conversion from chaos to clear flow is the artist’s refining process, thinking and working.
The persistence of all those garbage memories we tend to store away, threatens to overwhelm us. You can see that this lady has managed to refine them into a crystal stream pouring steadily from her eyes.

As I worked my way around the figure, I was thinking about the bottom right corner, which is a geometric pattern, as opposed to the organic shapes of the rest of the painting. I added a very anomalous set of green pyramid forms in the lower right, very strange and somehow wonderful.

Anomaly Series

17 January, 2004

339 Kapuskasing River


339 Kapuskasing River
20x24" acrylic on canvas
commission

16 January, 2004

338 Kapuskasing River


338 Kapuskasing River
20x24" acrylic on canvas
commission

15 January, 2004

A337 Artist & Anomaly IV


A337 Artist & Anomaly IV
10x8" acrylic on glass
private collection

A pointillist study of an artist friend, France. I wanted to capture the joy and concentration of the artist at work.

Anomaly Series

14 January, 2004

A336 Memory Work
















A336 Memory Work
20x24" acrylic on canvas
Private collection

Anomaly Series

13 January, 2004

A335 History II


A335 History II
16x20" mixed medium on panel
private collection

Another version of the clutter we carry around with us. Our own personal history, all the things we have said and done, swirls around us, sometimes coming into focus, but mostly remaining peripheral until something reminds us. Our history, like Memory, forms a life pattern for each of us, the positive and negative elements changing according to our experience and mood. Kaleidoscope and cacophony, an adornment and a burden; some people cling to their history, while others try to shed it, and don another.

Anomaly Series

09 January, 2004

A326 Reformation V


A326 Reformation V
10x8" oil on glass
Private collection

A pointillist 'reformed' segment of A298, Artist & Anomaly.

Anomaly Series

06 January, 2004

A323 Reformation II


A323 Reformation II
11x14" oil on canvas
private collection

This is an 'alla prima' study of some free-form shapes I made with oil and a large brush. The pointillist details suggest the developmental, biologic forms I am interested in, and are also reminiscent of the Paleozoic fossils in the previous series.

Anomaly Series

04 January, 2004

A321 Artist & Anomaly III


A321 Artist & Anomaly III
10x8" acrylic on glass
private collection

A self-portrait.

Anomaly Series

03 January, 2004

A320 Anomalous Piercings


A320 Anomalous Piercings
20x24" oil on canvas
$550.00

My idea was to show the piercing quality of pain and light, as a riving, but also as inspiration, the bolt that awakens you from inertia and complaisance. As well, lately I have been using the idea of the split person, but only to show how much can be going on at one time, in one mind, and the duality of our nature.

Anomaly Series

01 January, 2004

A318 Sum VII


A318 Sum VII
10x8" acrylic on glass
private collection

The figure juggles several patterns she has formed, while immersed and surrounded by sequences of other patterns. The loose, perception pattern (symbolized by eyes and neurons) of her clothing, the pattern she choses to wear, contrasts with the symmetry of the background patterns. The figure doesn't 'fit in', and certainly the patterned masses she juggles do not blend in. She may be trying to make them fit somehow, or she may be keeping them separate.

Often our ideas, even our ideals, do not fit into the regular pattern of our lives, but we keep them delicately balanced, out there in front of our eyes, to remind us of what we strive to be. If we cling to one idea too long, the others must fall by the way. With concentration, however, we can keep various ideas going, sometimes for a lifetime.

Anomaly Series